![]() ![]() There are exercises for learning duo style on the liuto in Calace's method book for the instrument. ![]() I can't say I've ever seen or heard that done."Ĭalace wrote 8 preludes (and much other music) for the liuto cantabile, the Italian version of the mandocello several of these involve extensive use of duo style. "Indicentally: duo-style on mandocello sounds rather niche. ![]() Just as if one is playing John Dowland on a renaissance lute from an original manuscript, one needs to know how to read French tablature. If one is using the alto mandola to sight read an octave part from a modern German composition, one also has to learn to read 8va treble on the alto instrument. However, if one is sight-reading a mandola part from an early 20th century American mandolin orchestra piece, one better know how to read universal (or transposed) notation. If one is sight-reading the viola part from a Mozart string quartet on the alto mandola it is obviously useful to be able to read alto clef. Notation evolves to suit the normal use of the instrument, which differs with the social and historical context. This assumes that mandolin family instruments are plucked versions of bowed instruments, a false equivalency. One often sees criticism of universal or transposed notation on mandolin family instruments in favor of allegedly "correct' notation, which supposedly comes from bowed string equivalents. Notation of this sort is used elsewhere with instrument families that differ in size so that fingering patterns can be kept constant across instruments. "Transposed" means a change of key (and octave when necessary) so that the notes are played as if the instrument were a mandolin (only bigger). It is easy to confuse "transposed notation" for mandolin family instruments with universal notation. 8va treble an example would be Owen Hartford, because the one person in the Providence Mandolin Orchestra who plays the alto instrument read its (the other members of the mandola section, such as myself, play the octave mandolin, and so also want the music in 8va treble). Some modern composers for mandolin ensemble routinely write alto mandola parts in universal notation, a.k.a. Octave treble clef has always been used for octave mandolin and for the guitar. For mandocello, the transposition would be "16", meaning two octaves. Universal notation is simply octave treble clef, with varying degrees of transposition. I thought univeral notation was written at pitch, but transposed by full octaves (one for mandola, two for mandocello/mandobass)." ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |